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Is it okay to visually align the elements in a logo?


Why is there so much emphasis on the text of a logo and not the catchyness of the logo itself?What is the shape of curved text in a typical logo?Aligning three circle intersection equallyIllustrator: how to align grouped objects and expand to be aligned top and bottom?Illustrator: Selecting all objects across x axisIllustrator - object placements slightly offHow to stop Photoshop CC from snapping to other elements?Horizontal Alignment in Photoshop - Which is correct?Merge a folder of images that don't have overlapping elements but do align at edgesHow to control Alignment tool vertical distribution in GIMP?






.everyoneloves__top-leaderboard:empty,.everyoneloves__mid-leaderboard:empty,.everyoneloves__bot-mid-leaderboard:empty margin-bottom:0;








2















Sometimes, some elements in logos look off-centre or misaligned even though we align them in the software (mechanically). Is it accepted practice to shift the mechanically aligned elements, so that they look aligned to the human eye?
For example, in the below picture, the D looks like it is not aligned with the C.enter image description here










share|improve this question



















  • 2





    Might want to fix kerning first. That first T.... the O...

    – Scott
    7 hours ago












  • Looks like it was kerned by MS Word :

    – Tetsujin
    6 hours ago






  • 1





    once you fix the kerning, I'd have a look at not trying to make them fill the same space. Divulging is looking very lonely, catastrophe is crowded in comparison. Maybe try get the centre letters to line up too - L over T should match up for me.

    – Tetsujin
    6 hours ago












  • @Tetsujin Let's try those. I also noticed the kerning later. Btw it's a dummy text I made up to show D and C is not lining up visually. The original text is different :)

    – Bluebug
    5 hours ago

















2















Sometimes, some elements in logos look off-centre or misaligned even though we align them in the software (mechanically). Is it accepted practice to shift the mechanically aligned elements, so that they look aligned to the human eye?
For example, in the below picture, the D looks like it is not aligned with the C.enter image description here










share|improve this question



















  • 2





    Might want to fix kerning first. That first T.... the O...

    – Scott
    7 hours ago












  • Looks like it was kerned by MS Word :

    – Tetsujin
    6 hours ago






  • 1





    once you fix the kerning, I'd have a look at not trying to make them fill the same space. Divulging is looking very lonely, catastrophe is crowded in comparison. Maybe try get the centre letters to line up too - L over T should match up for me.

    – Tetsujin
    6 hours ago












  • @Tetsujin Let's try those. I also noticed the kerning later. Btw it's a dummy text I made up to show D and C is not lining up visually. The original text is different :)

    – Bluebug
    5 hours ago













2












2








2








Sometimes, some elements in logos look off-centre or misaligned even though we align them in the software (mechanically). Is it accepted practice to shift the mechanically aligned elements, so that they look aligned to the human eye?
For example, in the below picture, the D looks like it is not aligned with the C.enter image description here










share|improve this question
















Sometimes, some elements in logos look off-centre or misaligned even though we align them in the software (mechanically). Is it accepted practice to shift the mechanically aligned elements, so that they look aligned to the human eye?
For example, in the below picture, the D looks like it is not aligned with the C.enter image description here







logo alignment best-practice






share|improve this question















share|improve this question













share|improve this question




share|improve this question








edited 9 hours ago







Bluebug

















asked 9 hours ago









BluebugBluebug

1801 silver badge10 bronze badges




1801 silver badge10 bronze badges







  • 2





    Might want to fix kerning first. That first T.... the O...

    – Scott
    7 hours ago












  • Looks like it was kerned by MS Word :

    – Tetsujin
    6 hours ago






  • 1





    once you fix the kerning, I'd have a look at not trying to make them fill the same space. Divulging is looking very lonely, catastrophe is crowded in comparison. Maybe try get the centre letters to line up too - L over T should match up for me.

    – Tetsujin
    6 hours ago












  • @Tetsujin Let's try those. I also noticed the kerning later. Btw it's a dummy text I made up to show D and C is not lining up visually. The original text is different :)

    – Bluebug
    5 hours ago












  • 2





    Might want to fix kerning first. That first T.... the O...

    – Scott
    7 hours ago












  • Looks like it was kerned by MS Word :

    – Tetsujin
    6 hours ago






  • 1





    once you fix the kerning, I'd have a look at not trying to make them fill the same space. Divulging is looking very lonely, catastrophe is crowded in comparison. Maybe try get the centre letters to line up too - L over T should match up for me.

    – Tetsujin
    6 hours ago












  • @Tetsujin Let's try those. I also noticed the kerning later. Btw it's a dummy text I made up to show D and C is not lining up visually. The original text is different :)

    – Bluebug
    5 hours ago







2




2





Might want to fix kerning first. That first T.... the O...

– Scott
7 hours ago






Might want to fix kerning first. That first T.... the O...

– Scott
7 hours ago














Looks like it was kerned by MS Word :

– Tetsujin
6 hours ago





Looks like it was kerned by MS Word :

– Tetsujin
6 hours ago




1




1





once you fix the kerning, I'd have a look at not trying to make them fill the same space. Divulging is looking very lonely, catastrophe is crowded in comparison. Maybe try get the centre letters to line up too - L over T should match up for me.

– Tetsujin
6 hours ago






once you fix the kerning, I'd have a look at not trying to make them fill the same space. Divulging is looking very lonely, catastrophe is crowded in comparison. Maybe try get the centre letters to line up too - L over T should match up for me.

– Tetsujin
6 hours ago














@Tetsujin Let's try those. I also noticed the kerning later. Btw it's a dummy text I made up to show D and C is not lining up visually. The original text is different :)

– Bluebug
5 hours ago





@Tetsujin Let's try those. I also noticed the kerning later. Btw it's a dummy text I made up to show D and C is not lining up visually. The original text is different :)

– Bluebug
5 hours ago










1 Answer
1






active

oldest

votes


















3














You have find an old visual fact.



If you carefully check high quality fonts, you see the glyphs are aligned for even subjective appearance, not for strict alignment of the midlines or edges. The fine placement can be switched on or off or adjusted in typesetting software such as Indesign. For that reason the line startings can seem at first slightly ragged, but as whole it's more pleasing to read.



BTW. Letter spacing isn't especially good in word catastrophy. That disturbs seeing properly other things. You should move pair AT further from C and closer to the next A. Then you can try to fix the C-D-alignment. Here's one attempt to fix the left end, C has its original place, D, A and T are moved:



enter image description here



Not asked: But the whole text needs to be fixed. Check, if you can drop the justifying and try something like this (unfortunately the font is only Arial):



enter image description here






share|improve this answer

























  • Cool! It looks much better now. Thanks.

    – Bluebug
    8 hours ago












  • The N... G is still painful, as it the V...U. In fact much of 'divulging' is a bit of a... catastrophe ;-)

    – Tetsujin
    6 hours ago











  • Ironically, the typeface of "divulging" is called optician sans and was marketed as the only font inspired by the eye-charts historically. optician-sans.com

    – Bluebug
    5 hours ago













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1 Answer
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active

oldest

votes








1 Answer
1






active

oldest

votes









active

oldest

votes






active

oldest

votes









3














You have find an old visual fact.



If you carefully check high quality fonts, you see the glyphs are aligned for even subjective appearance, not for strict alignment of the midlines or edges. The fine placement can be switched on or off or adjusted in typesetting software such as Indesign. For that reason the line startings can seem at first slightly ragged, but as whole it's more pleasing to read.



BTW. Letter spacing isn't especially good in word catastrophy. That disturbs seeing properly other things. You should move pair AT further from C and closer to the next A. Then you can try to fix the C-D-alignment. Here's one attempt to fix the left end, C has its original place, D, A and T are moved:



enter image description here



Not asked: But the whole text needs to be fixed. Check, if you can drop the justifying and try something like this (unfortunately the font is only Arial):



enter image description here






share|improve this answer

























  • Cool! It looks much better now. Thanks.

    – Bluebug
    8 hours ago












  • The N... G is still painful, as it the V...U. In fact much of 'divulging' is a bit of a... catastrophe ;-)

    – Tetsujin
    6 hours ago











  • Ironically, the typeface of "divulging" is called optician sans and was marketed as the only font inspired by the eye-charts historically. optician-sans.com

    – Bluebug
    5 hours ago















3














You have find an old visual fact.



If you carefully check high quality fonts, you see the glyphs are aligned for even subjective appearance, not for strict alignment of the midlines or edges. The fine placement can be switched on or off or adjusted in typesetting software such as Indesign. For that reason the line startings can seem at first slightly ragged, but as whole it's more pleasing to read.



BTW. Letter spacing isn't especially good in word catastrophy. That disturbs seeing properly other things. You should move pair AT further from C and closer to the next A. Then you can try to fix the C-D-alignment. Here's one attempt to fix the left end, C has its original place, D, A and T are moved:



enter image description here



Not asked: But the whole text needs to be fixed. Check, if you can drop the justifying and try something like this (unfortunately the font is only Arial):



enter image description here






share|improve this answer

























  • Cool! It looks much better now. Thanks.

    – Bluebug
    8 hours ago












  • The N... G is still painful, as it the V...U. In fact much of 'divulging' is a bit of a... catastrophe ;-)

    – Tetsujin
    6 hours ago











  • Ironically, the typeface of "divulging" is called optician sans and was marketed as the only font inspired by the eye-charts historically. optician-sans.com

    – Bluebug
    5 hours ago













3












3








3







You have find an old visual fact.



If you carefully check high quality fonts, you see the glyphs are aligned for even subjective appearance, not for strict alignment of the midlines or edges. The fine placement can be switched on or off or adjusted in typesetting software such as Indesign. For that reason the line startings can seem at first slightly ragged, but as whole it's more pleasing to read.



BTW. Letter spacing isn't especially good in word catastrophy. That disturbs seeing properly other things. You should move pair AT further from C and closer to the next A. Then you can try to fix the C-D-alignment. Here's one attempt to fix the left end, C has its original place, D, A and T are moved:



enter image description here



Not asked: But the whole text needs to be fixed. Check, if you can drop the justifying and try something like this (unfortunately the font is only Arial):



enter image description here






share|improve this answer















You have find an old visual fact.



If you carefully check high quality fonts, you see the glyphs are aligned for even subjective appearance, not for strict alignment of the midlines or edges. The fine placement can be switched on or off or adjusted in typesetting software such as Indesign. For that reason the line startings can seem at first slightly ragged, but as whole it's more pleasing to read.



BTW. Letter spacing isn't especially good in word catastrophy. That disturbs seeing properly other things. You should move pair AT further from C and closer to the next A. Then you can try to fix the C-D-alignment. Here's one attempt to fix the left end, C has its original place, D, A and T are moved:



enter image description here



Not asked: But the whole text needs to be fixed. Check, if you can drop the justifying and try something like this (unfortunately the font is only Arial):



enter image description here







share|improve this answer














share|improve this answer



share|improve this answer








edited 6 hours ago

























answered 9 hours ago









user287001user287001

26.1k2 gold badges14 silver badges41 bronze badges




26.1k2 gold badges14 silver badges41 bronze badges












  • Cool! It looks much better now. Thanks.

    – Bluebug
    8 hours ago












  • The N... G is still painful, as it the V...U. In fact much of 'divulging' is a bit of a... catastrophe ;-)

    – Tetsujin
    6 hours ago











  • Ironically, the typeface of "divulging" is called optician sans and was marketed as the only font inspired by the eye-charts historically. optician-sans.com

    – Bluebug
    5 hours ago

















  • Cool! It looks much better now. Thanks.

    – Bluebug
    8 hours ago












  • The N... G is still painful, as it the V...U. In fact much of 'divulging' is a bit of a... catastrophe ;-)

    – Tetsujin
    6 hours ago











  • Ironically, the typeface of "divulging" is called optician sans and was marketed as the only font inspired by the eye-charts historically. optician-sans.com

    – Bluebug
    5 hours ago
















Cool! It looks much better now. Thanks.

– Bluebug
8 hours ago






Cool! It looks much better now. Thanks.

– Bluebug
8 hours ago














The N... G is still painful, as it the V...U. In fact much of 'divulging' is a bit of a... catastrophe ;-)

– Tetsujin
6 hours ago





The N... G is still painful, as it the V...U. In fact much of 'divulging' is a bit of a... catastrophe ;-)

– Tetsujin
6 hours ago













Ironically, the typeface of "divulging" is called optician sans and was marketed as the only font inspired by the eye-charts historically. optician-sans.com

– Bluebug
5 hours ago





Ironically, the typeface of "divulging" is called optician sans and was marketed as the only font inspired by the eye-charts historically. optician-sans.com

– Bluebug
5 hours ago

















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