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The Lonesome West Contents Synopsis Production history Awards and nominations References External links Navigation menu"'The Lonesome West' Royal Court Theatre Downstairs""'The Lonesome West' Broadway""Review. Broadway""CurtainUp Review. 'The Lonesome West'""Theater Review. Another Tempestuous Night in Leenane (Sure, It's Not a Morn in Spring)"The Lonesome WestNew York Times reviewe

Six ShooterIn BrugesSeven PsychopathsThree Billboards Outside Ebbing, MissouriThe Beauty Queen of LeenaneA Skull in ConnemaraThe Lonesome WestThe Cripple of InishmaanThe Lieutenant of InishmoreThe PillowmanA Behanding in SpokaneHangmenA Very Very Very Dark Matter


1997 playsPlays by Martin McDonaghPlays set in Ireland


Martin McDonaghConnemaraLeenanevol au ventsDruid Theatre CompanyGalwayRoyal Court TheatreBroadwayLyceum TheatreBrían F. O'ByrneGarry Hynes












The Lonesome West




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Book cover


The Lonesome West is a play by contemporary Irish playwright Martin McDonagh, part of his Connemara trilogy, which includes The Beauty Queen of Leenane and A Skull in Connemara. All three plays depict the shocking and murderous goings-on in the Western Ireland town of Leenane.




Contents





  • 1 Synopsis


  • 2 Production history


  • 3 Awards and nominations


  • 4 References


  • 5 External links




Synopsis


The Lonesome West features the persistently arguing brothers Coleman and Valene, whose father has just died in a shotgun 'accident.' Valene is only interested in his religious ornaments, and drinking poteen. Coleman is only interested in eating, and attends funerals to collect free sausage rolls and vol au vents.
Valene goes out to help drag the body of Garda Thomas Hanlon (character in "A Skull in Connemara") out of the lake with Father Welsh. Hanlon had just killed himself. Coleman pretends to follow, delaying to tie his shoelace, despite the fact that he was wearing loafers. While alone in the house, he destroys all of Valene's plastic figurines, by placing them in Valene's new stove.
Only Father Welsh, the alcoholic parish priest, attempts to fix their relationship, but his advice mostly goes unheard.
It is revealed later in the play that Coleman had shot his father because he insulted his (Coleman's) new haircut. Valene agreed to provide a false alibi for Coleman, stating that their father's death was accidental. In exchange, he demanded Coleman's share of the inheritance money. Neither of the brothers show any grief or remorse at their father's death. The two brothers fight over everything and anything. Valene attacks Coleman over eating his crisps, and they fight over whose turn it is to read the magazine, and who left the top off Valene's pen. Father Welsh, depressed because of the hatred between the brothers, and with a low self-esteem, writes a letter begging the brothers to get along, asserting that he will stake his soul on it. Father Welsh then proceeds to drown himself in the lake. This act is significant, as there has already been a lengthy discussion about suicide in the play. The characters believe that damnation follows suicide for the victims.
When Coleman and Valene read his letter, they attempt to reconcile themselves, and a "confessions" scene ensues, in which the brothers take turns to admit the wrongs that they had secretly done to each other in the past, and to forgive each other's "sins." Coleman loses his temper when Valene admits to shoving a pencil down the throat of a Coleman's old girlfriend, causing her to then fall in love with the doctor that removed it. In a fit of rage, Coleman proceeds to smash Valene's new collection of ceramic religious figurines, and destroy his stove with multiple shot gun blasts. After Coleman calms down, Valene says "Try and top that one for yourself". Coleman does, however, deliver an even more terrible confession. He reveals that he cut the ears of Valene's dog two years previously, presenting the evidence of severed dog's ears in a brown paper bag. With this, Valene flies into a rage, and a major fight scene ensues. It becomes clear that the two brothers can never have a good relationship. They agree that fighting is actually good for them, and that Father Welsh's soul can rot in hell, for all they care. Who even asked him to bet it on them in the first place?



Production history


The play premiered in June 1997 at the Druid Theatre Company in Galway, at the Town Hall Theatre in a co-production with the Royal Court Theatre.[1]


The play transferred to the Royal Court Theatre, London on 26 July 1997.[2]


The play premiered on Broadway at the Lyceum Theatre on 27 April 1999.
The same four actors who had appeared in the Galway and London productions also appeared in the Broadway production: Brían F. O'Byrne played Valene, Maelíosa Stafford played Coleman, David Ganly played Father Welsh, and Dawn Bradfield played Girleen. Garry Hynes directed all three productions. The play closed on 13 June 1999 after 55 performances and 9 previews.[3][4][5][6]



Awards and nominations



  • Tony Award for Best Play nominated[3]


  • Alfréd Radok Award for Best Play won

  • Tony Award for Best Actor (Brían F. O'Byrne) nominated[3]

  • Tony Award for Direction of a Play nominated[3]

  • Tony Award for Featured Actress in a Play (Dawn Bradfield) nominated[3]


References




  1. ^ McDonagh, Martin. "Introduction", The Lonesome West, Dramatists Play Service Inc, 1999, pp.2–3


  2. ^ Dalglish, Darren. "'The Lonesome West' Royal Court Theatre Downstairs" londontheatrearchive.co.uk, 4 August 1997


  3. ^ abcde "'The Lonesome West' Broadway" Playbill (vault). Retrieved 6 April 2016


  4. ^ Isherwood, Charles. "Review. Broadway" Variety, 28 April 1999


  5. ^ Sommer, Elyse. "CurtainUp Review. 'The Lonesome West'" CurtainUp 24 April 1999


  6. ^ Brantley, Ben. "Theater Review. Another Tempestuous Night in Leenane (Sure, It's Not a Morn in Spring)" The New York Times, 28 April 1999




External links



  • The Lonesome West at the Internet Broadway Database


  • New York Times review









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